For retail shops
A real design on a real garment in a real colorway, a proof your customer signs, and one art library that knows where every logo is already used. Set up in an afternoon.
Not quite you?Contract shops
The quote becomes the order becomes the work. Nothing retyped.
Real garment, real colorway, real placement, sized in inches.
A proof with your terms inside it, and the signed version kept.
One library, every design numbered and everywhere it is used.
Thousands of styles at your own supplier pricing, live.
A roster on a size run, capped and cleaned on the way in.
The board groups by art number, with the lines rolled up under it.
Start and stop on the task itself, and the hours land on the order.
Stock, holds against a job, movements, reorder points, inks and threads.
Boxes, packing slips and a label bought without leaving the order.
What is owed, what came in, and a sync you can read back.
Labor and materials land on the order that used them.
The month, the twelve-month trend and what each department costs.
Their art, approvals and history, in their own login.
Moving up buys it: purchase orders, costs, and what a supplier has not confirmed.
Moving up buys it: goods-in, box labels, put-away and taking a receipt back off.
Moving up buys it: a barcode gun on the dock and on the floor, so a piece is counted where it is standing.
Moving up buys it: employment records, pay periods, timesheets and PTO balances.
Color breaks, stitch bands, squared inches and your own customer tiers — priced once, and the same numbers carry into the order and onto the floor.
A proof with the garment, the placement, the colors and a signature line — not a photo attached to an email.
One library, every design numbered, each one knowing which goods and which orders it is already on.
Names and numbers against the size run, capped at the length you actually print, cleaned on the way in.
The board and the schedule group by art number, not by line item — and the timer starts on the task, so the hours land on the work that used them.
What is on hand, what is held for a job, every movement in and out, what needs reordering — and your ink and thread colors on the same screen.
Boxes packed for you from the order's own goods, a packing slip in each one, and the label bought without leaving the screen.
The invoice comes off the order, what is owed sits in one list, and the sync keeps a log you can actually read when a customer disagrees.
Labor and materials land on the order that used them, and profit, cash on hand and the twelve-month trend are on the screen you open first.
Your customers read their own art, approvals and history instead of emailing you to ask where it is.
Purchase orders, checking goods in, a barcode gun on the dock and on the floor, and the team and time-clock side — the contract plans carry all four, and the app tells you which one and who can switch it on. Nothing you have already set up is lost.
Open any one of them to see what is behind it.
Start with the designer, the catalog and orders. The rest is there when you want it, and nothing you have not turned on is in your way.
As many as your plan's seat number, and everybody who signs in takes one. You pay the same whether you fill it or not — nothing is charged per person.
The job-costing side is already built. You move up a plan rather than moving to different software.
One price for the whole shop, and one charge to get you started. Nothing is charged per person.
Take transfer, sticker and print orders online instead of by email.
Tick it when you open the shop, or switch it on any time after — it goes on the same monthly bill and comes off it the same way.
The designer, the proofs and one numbered art library.
Your supplier's own pricing on the whole catalog, live.
Your customers in their own login — their art, approvals and history.
Buying, receiving, scanning and the time clock are on the contract plans. Nothing you have already set up is lost when you move up.
Open the shop, and we put your catalog, your art, your people and your first orders on it with you.